Another Food Fight: This time Rigatoni “White Bolognese”

Quite possibly Italian food is the favorite cuisine throughout the world; it is adored from Asia to South America.  Many Italians themselves are so attached to their national dishes that they become disappointed when their food is different outside of Italy.  But, they are even more disappointed—no, downright angry—when others—especially the Americans—intentionally change a dish.  After all, the Americans are messing with the recipes of their grandmother’s grandmother’s grandmother.

Well, it has happened again.  Recently, the New York Times published a recipe for Rigatoni “white Bolognese.”  The recipe calls for a white ragù prepared with onions, carrots, celery, cream, and dried mushrooms.rigatoni

It unleashed the indigation of the Italians, especially the Emiliani.  From Bologna:  “We continue to repeat it: Bolognese sauce does not exist in Italy.  One prepares ragù alla Bolognese with meat, tomato and without mushrooms.  And the pasta is tagliatelle, never spaghetti or rigatoni.”

Among the other comments: “I would like to know who spreads these pseudo Italian recipes.”  And another  “It is an offense to our cuisine.”  Even the Coldiretti ( the principle organization of agricultural business owners at the national level in Italy and in Europe) speaks out:  “In other countries, the most bizarre versions of traditional recipes are brought to the table…like the German custom of using vegetable oil for veal cutlets alla Milanese, or that of the Dutch who do not use mascarpone in their tiramisù, all the way to the English and the Americans who go nuts for Bolognese spaghetti, which is totally unknown in our emiliana city.”

While spaghetti alla Bolognese is perhaps the most egregious case, among the other betrayed specialties, continues the Coldiretta, are “caprese salad made with processed cheese instead of buffalo mozzarella or fiordilatte…pesto pasta made with almonds, walnuts or pistachio nuts in place of pine nuts and with a common cheese instead of the unmatchable reggiano parmesan and pecorino cheeses… not to mention pizza in the most unimaginable versions, like those with pineapple or chicken.”

Since I don’t want to insult my Italian friends, I am including the recipe for “white Bolognese” rigatoni only in the English version of this post.

Rigatoni with White Bolognese Sauce

INGREDIENTS

Extra virgin olive oil

½ sweet onion, peeled and finely chopped

2 medium carrots, peeled and finely chopped

1 stalk celery, finely chopped

Sea salt

Freshly ground black pepper

1 pound mild Italian pork sausage meat, removed from casings

1 pound ground beef (not lean)

1 ½ cups dry Italian white wine

1 cube beef bouillon dissolved in 2 cups simmering water

1 ½ ounces dried porcini mushrooms rehydrated in

        3 cups lukewarm water

⅓ cup heavy cream

1 pound rigatoni

¾ cup freshly grated Parmigiano-Reggiano cheese

PREPARATION

  • . Add enough oil to a large, deep sauté pan to coat the base and place over medium-high heat. When the oil shimmers, add the onion, carrots and celery and sauté until glassy and just tender, about 5 minutes. Season lightly with salt and pepper. Add the sausage and beef to the pan, breaking it into walnut-size pieces, and brown well.
  • . Pour in the wine and keep at a rapid simmer until the pan is almost dry. Then pour in 1 1/2 cups beef bouillon and lower the heat to medium. Simmer gently, uncovered, until the bouillon is nearly gone, stirring now and then. Meanwhile, chop the rehydrated porcini into small pieces, reserving the liquid.
  • . Bring a large pot of salted water to a boil. Add mushroom liquid to the sauce to cover the meat halfway (about 1 cup) along with the porcini and continue simmering until the sauce is loose but not soupy, about 10 minutes. Taste and adjust salt and pepper; it should be highly seasoned. When the consistency is right, fold the cream in. Remove from the heat and cover.

 

When the pasta water is at a full boil, add the rigatoni and cook until still firm, but not hard, in the center. When the pasta is almost done, scoop out 1 cup of pasta water and reserve. Drain the pasta and then return it to the pot. Pour the pasta sauce on top and fold in with a wooden spoon. The pasta should not be dry. Add a little pasta water or mushroom liquid to loosen it. (It will continue to soak up sauce on the way to the table.) Serve in one large bowl or in individual bowls, passing the cheese at the table.

 

 

 

 

Posted in Abitudini, Cucina italiana, Differenze culturali, English, Foto, Italia | Leave a comment

Chi Era Luigi del Bianco?

Luigi del Bianco era un Italo-Americano che sarebbe morto in una relativa oscurità senza gli sforzi di suo figlio e di suo nipote.

Nato nel 1892, del Bianco crebbe a Meduno, che è a nordest di Venezia.  Studiava la scultura di pietra a Venezia e a Vienna.  Emigrò negli Stati Uniti in giovane età (17 anni) e, infine, si stabilì a Port Chester nello stato di New York.  Lì incontrò Gutzon Borglum di origine danese che lo assunse per lavorare nel suo studio a Stamford nello stato di Connecticut.  Lavorarano insieme su diversi monumenti di pietra.  Poi Borghum lo reclutò nel 1933 per seguirlo alle Colline Nere nel Sud Dakota per lavorare su un progetto enorme.download

Tra il 1927 e il 1941, 400 persone lavorarano sulla scultura del Monte Rushmore, sotto laLuigi_Del_Bianco_on_Mount_Rushmore direzione di Borghum, il progettista e l’ingegnere capo.  Assunse del Bianco per essere l’intagliatore capo, con la responsibilità di affinare le espressioni facciali sulle teste di 60-piede dei presidenti George Washington, Thomas Jefferson, Theodore Roosevelt e Abraham Lincoln.  Scolpiva gli occhi di Lincoln, mettendo in evidenza le pupille con pietre di granite a forma di cuneo in modo da riflettere la luce.  “So che ogni linea e cresta, ogni piccolo urto e tutti i dettagli così bene,” del Bianco disse a un giornale nel 1966.

Nel 1941, Borghum morì, il finanziamento si fermò, e i progetti di scolpire i torsi dei download (1)presidenti fine alla vita furono abbandonati.  Del Bianco tornò a Port Chester, dove la sua azienda scolpiva centinaia di lapidi.  Morì nel 1969 di silicosi, che è causata da inalazione di polvere di pietrisco.

Alla fine degli anni ’80, un libro intitolato, “L’intaglio del Monte Rushmore,” di Rex Allen Smith, non mai menzionò il ruolo di del Bianco nella creazione del monumento.  A questo punto il figlio di Luigi, Cesar, entrò in azione.  Il figlio e il nipote condussero alcune ricerche.  Trovarono i documenti nella Biblioteca del Congresso che confermarono il ruolo di del Bianco.  Trovarono anche gli scritti di Borghum, che aveva detto:  “ [del Bianco] aveva il valore di tre uomini cosa che io non vorrei sono riuscito a trovare in America…lui è l’unico intelligente, efficiente tagliapietre sul lavoro che capisce la lingua dello scultore.”  Il servizio del parco nazionale ha finalmente riconosciuto il ruolo di del Bianco e ha pubblicato la sua biografia sul Facebook.placque

Poi Douglas Gladstone ha scritto un libro nel 2014 intitolato, “Intagliando una nicchia per se stesso:  La storia taciuta di Luigi del Bianco.”  Gladstone ha detto che ignorare il ruolo importante di del Bianco nella creazione del Monte Rushmore era come scrivere sulla squadra dei New York Yankees senza menzionare Joe DiMaggio.

Il Monte Rushmore è lo sfondo dell’ultima scena in uno dei miei film preferiti …L’Intrigo Internazionale (o Nord per Nord Ovest) di Alfred Hitchcock.

 

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Who Was Luigi del Bianco?

Luigi del Bianco was an Italian-American who would have died in relative obscurity without the efforts of his son and grandson.

Born in 1892, Luigi grew up in Meduno, northeast of Venice.  He studied stone carving in Venice and Vienna.  He emigrated to the United States at a young age (17) and eventually settled in Port Chester, New York.  There he met Gutzon Borglum of Danish descent who hired him to work in his Stamford, Connecticut studio.  They worked together on several stone memorials.  Then Borghum recruited him in 1933 to follow him to the Black Hills of South Dakota to work on a huge project.download

Between 1927 and 1941, 400 people worked on the sculpting of Mount Rushmore under Luigi_Del_Bianco_on_Mount_Rushmorethe direction of Borghum, the designer and chief engineer.  He hired del Bianco to be Chief Carver, with the responsibility of refining the facial expressions on the 60-foot-high heads of presidents George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln.  Del Bianco fixed a foot-deep crack in Jefferson’s lips with a patch and he sculpted Lincoln’s eyes, highlighting the pupils with wedge-shaped granite stones to reflect the light.  “I know every line and ridge, each small bump and all the details so well,” he told a newspaper in 1966.

In 1941 Borghum died, financing dried up, and plans to carve the torsos of the presidents download (1)to the waist were abandoned.  Del Bianco returned to Port Chester where his company carved hundreds of tombstones.  He died in 1969 of silicosis, which is caused by inhaling dust from crushed stone.

In the late 1980s, a book called “The Carving of Mount Rushmore,” by Rex Allen Smith, never mentioned del Bianco’s role in the creation of the monument.  That is when Luigi’s son, Cesar, sprang into action.  Son and grandson conducted research.  They found documents in the Library of Congress that confirmed del Bianco’s role.  They even found writings by Borghum who said, “He [del Bianco] is worth any three men I could find in America….He is the only intelligent, efficient stone carver on the work who understands the language of the sculptor.”   The National Park Service has finally recognized del Bianco’s role and posted his biography on Facebook.placque

Then Douglas Gladstone wrote a book in 2014 called “Carving a Niche for Himself:  The Untold Story of Luigi Del Bianco.”  He famously said that ignoring Del Bianco’s important role in the creation of Mount Rushmore was like writing about the New York Yankees without mentioning Joe DiMaggio.

Mount Rushmore is the background of the last scene in one of my favorite films, “North by Northwest” (“L’intrigo Internazionale”) by Alfred Hitchcock.

 

 

 

 

 

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