Who Was Luigi del Bianco?

Luigi del Bianco was an Italian-American who would have died in relative obscurity without the efforts of his son and grandson.

Born in 1892, Luigi grew up in Meduno, northeast of Venice.  He studied stone carving in Venice and Vienna.  He emigrated to the United States at a young age (17) and eventually settled in Port Chester, New York.  There he met Gutzon Borglum of Danish descent who hired him to work in his Stamford, Connecticut studio.  They worked together on several stone memorials.  Then Borghum recruited him in 1933 to follow him to the Black Hills of South Dakota to work on a huge project.download

Between 1927 and 1941, 400 people worked on the sculpting of Mount Rushmore under Luigi_Del_Bianco_on_Mount_Rushmorethe direction of Borghum, the designer and chief engineer.  He hired del Bianco to be Chief Carver, with the responsibility of refining the facial expressions on the 60-foot-high heads of presidents George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln.  Del Bianco fixed a foot-deep crack in Jefferson’s lips with a patch and he sculpted Lincoln’s eyes, highlighting the pupils with wedge-shaped granite stones to reflect the light.  “I know every line and ridge, each small bump and all the details so well,” he told a newspaper in 1966.

In 1941 Borghum died, financing dried up, and plans to carve the torsos of the presidents download (1)to the waist were abandoned.  Del Bianco returned to Port Chester where his company carved hundreds of tombstones.  He died in 1969 of silicosis, which is caused by inhaling dust from crushed stone.

In the late 1980s, a book called “The Carving of Mount Rushmore,” by Rex Allen Smith, never mentioned del Bianco’s role in the creation of the monument.  That is when Luigi’s son, Cesar, sprang into action.  Son and grandson conducted research.  They found documents in the Library of Congress that confirmed del Bianco’s role.  They even found writings by Borghum who said, “He [del Bianco] is worth any three men I could find in America….He is the only intelligent, efficient stone carver on the work who understands the language of the sculptor.”   The National Park Service has finally recognized del Bianco’s role and posted his biography on Facebook.placque

Then Douglas Gladstone wrote a book in 2014 called “Carving a Niche for Himself:  The Untold Story of Luigi Del Bianco.”  He famously said that ignoring Del Bianco’s important role in the creation of Mount Rushmore was like writing about the New York Yankees without mentioning Joe DiMaggio.

Mount Rushmore is the background of the last scene in one of my favorite films, “North by Northwest” (“L’intrigo Internazionale”) by Alfred Hitchcock.

 

 

 

 

 

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Il Ponte dei Sospiri

Il Ponte dei Sospiri, che s’inarca sopra il Canale di Rio Palazzo a Venezia, è considerato uno dei migliori esempi di architettura barocca di ponti nel mondo.  I turisti si affollano a scattare la foto del ponte, e gli amanti spesso si baciano in una gondola che passa sotto il ponte.Bridge of Sighs, Venice

Ma la storia del ponte è più strettamente legata alla criminalità che al romanticismo.  Il ponte coperto collega il magnifico Palazzo Ducale, che era la sede del doge della città e il tribunal di Venezia, con il boia, tetra prigione dall’altra parte del canale.   I criminali furono condannati nel Palazzo Ducale prima di attraversare il ponte per la prigione in cui le loro vite di solito finivano nella miseria, nella malattia, e nella morte.

Il poeta Lord Byron ha tradotto il nome del ponte in inglese dandogli un fascino romantico.  In realtà, i sospiri erano quelli dei prigionieri mentre che attraversavano il ponte, forse perché non avrebbero mai più rivisto la loro bella Venezia.

Il ponte fu progettato dall’architetto Antonio Contino.  Suo zio, Antonio da Ponte fu Ponte di Rialtol’architetto di un’altra struttura iconica a Venezia…il Ponte di Rialto sul Canal Grande.  Da Ponte iniziò a lavorare dalla parte del carcere.  Dopo la sua morte nel 1595, il nipote finì tutto il lavoro, tra cui c’era il Ponte dei Sospiri decorato intorno al 1602.

Il ponte è realizzato in calcare bianco e ha una lunghezza di 11 metri.  Il progetto include più di 20 facce, o mascheroni scolpiti, lungo l’arcata inferiore del ponte.  La parola, “mascherone” deriva dalla parola araba “mascara,” che significa buffoneria.  Gli italiani nel secolo diciassettesimo cominciarono ad apporre queste maschere alle loro case e ad altre strutture per spaventare gli spiriti maligni.  Sul Ponte dei Sospiri si vedono facce tristi, facce arrabbiate, e una faccia sorridente, tutto per proteggere il ponte.  Dentro il ponte c’è un corridoio dai tribunali al carcere;  è in realtà diviso in 2 corridoi paralelli per tenere i prigionieri separati.

Una leggenda collega il ponte con l’amore.  Secondo la storia, se gli amanti si baciano sotto il ponte al tramonto, seduti in una gondola veneziana, quando le campane di San Marco risuonano fortamente, alla coppia sarà concessi eterno amore e felicità.  Questo è difficile da pianificare perché le campane non suonano ogni ora.

Bridge of Sighs, OxfordIl Ponte dei Sospiri ha ispirato molte altre città internazionali a creare le proprie versioni, dai ponti coperti nelle città universitarie di Oxford e Cambridge al palazzo di giustizia della contea di Allegheny a Pittsburgh, in Pennsylvania.  Anche Santa Barbara ha il Ponte dei Sospiri nel Palazzo di Giustizia.

 

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The Bridge of Sighs

The Bridge of Sighs, arching above the Rio Palazzo Canal in Venice, is considered one of the finest examples of baroque bridge architecture in the world.  Tourists flock to take its picture, and lovers often kiss in a gondola as they pass under it.Bridge of Sighs, Venice

But the history of the bridge is more closely linked to crime than to romance.  The covered bridge connects the magnificent Doge’s Palace, home to the city’s ruler and the courts of justice, with the dark, dreary prison across the canal.  Criminals were sentenced in the Doge’s Palace before crossing the bridge to prison where their lives usually ended in misery, illness, and death.

The poet Lord Byron translated the 17th century Italian name into English giving it a romantic allure.  In reality, the sighs were said to be those of prisoners as they crossed the bridge, perhaps because they would never see their beautiful Venice again.

The bridge was designed by architect Antonio Contino.  His uncle, Antonio da Ponte wasPonte di Rialto the architect of another iconic sight in Venice…the Rialto Bridge on the Grand Canal.  Da Ponte began work on the prison.  After his death in 1595, the nephew finished the work, including the decorative Bridge of Sighs around 1602.

The bridge is made of white limestone and spans 11 meters.  The design includes more than 20 faces, or mascarons, carved along the bridge’s lower arch.  The word “mascaron” comes from the Arabic word “mascara,” which means buffoonery.  Italians in the 17th century began to affix these carvings to their houses and other structures to scare away evil spirits.  On the Bridge of Sighs you will see sad faces, angry faces, and one smiling face—all to guard the bridge.  Inside the bridge the corridor from the courts to the jail is actually split into 2 parallel passages to keep prisoners separate.

One legend does link the bridge with love.  According to the story, if lovers kiss under the bridge at sunset while sitting in a Venetian gondola as the bells of St. Mark’s ring out, they will be granted eternal love and happiness.  This is hard to plan because the bells don’t ring every hour.

Bridge of Sighs, OxfordThe Bridge of Sighs has inspired many other international cities to create their own versions, from covered bridges in the university cities of Oxford and Cambridge to the Allegheny County Courthouse in Pittsburgh, Pennsylvania.  Even Santa Barbara has its Bridge of Sighs in the county courthouse.

 

 

 

 

 

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